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Everything Could Be Fine

by Sun Glitters

supported by
Stephen
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Stephen "Earthy" and "grounded" is how I would describe the bass on this album. A creative connection between joyful melodies and melancholic harmonies. Favorite track: too much to lose.
woodub
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woodub Whenever this track comes on, I immediately hit "repeat"! I could listen to this track alone for 20 minutes. While I like the "remixes" you have done with it...the original needs to be extended to about 6 minutes or so. Just as an homage to the original, no alterations, no remix, sort of like a jam session. Akin to "Not Just Knee Deep" by Funkadelic (track over 15 minutes long)! Favorite track: too much to lose.
Dan Leithauser
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Dan Leithauser This is rap that comes closest to some of my favorite music and beats from Geto Boys and Juelz Santana's "it's good to be a gangsta" with vocal stylings of Bjork, Fluke, Hooverphonic, Sneaker Pimps, and/or Massive Attack rounding out the action.
squared_thrice
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squared_thrice I love the range of sound on this album, as well as the beats and the ghostly melodies. The mix/mash of sound and harmonies make me think and require my attention. I like it when an album forces me, like one of Homer's sirens, to pause whatever I am doing and give it my undivided attention.

It's a fun listen, but I feel that while the artist(s) created something enjoyable, I think he is also communicating more than meets eye.. Favorite track: everything could be fine.
Will Butler
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Will Butler Everyone's favorite Luxembourg-ian down-tempo chiller -- right? These tunes are sublime, Sticky. All-consuming. Favorite track: too much to lose.
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1.
beside me 03:09
2.
3.
4.
5.
"Only you would count stars at night I have no need for such dreams so softly and slowly walk with me and talk to me" (Lyrics written by Rob Boak)
6.
7.
love me 04:18
8.

about

Sun Glitters sound is an ocean of lush melodies, pitch-shifted vocal samples, ghostly digi-diva choirs, warm bass melodies driven by alternately dense and relaxing beatwork combinations between downtempo and wonky beats.

RIYL:
Boards of Canada, Burial, Balam Acab

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Victor Ferreira från Luxemburg har sedan ett par dagar tillbaka skapat en rejäl buzz kring sitt nya (han har tidigare gått under namnet Sug(r)cane) projekt Sun Glitters och albumet everything could be fine. Och med all rätt. Hybriden av varma och frodiga basgångar, samplingar som ibland påminner om Burial, fängslande körsång, samt makliga och något stammande beats är klockren.

(Via No Modest Bear)

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When I first listened to Sun Glitters debut release, Everything Could Be Fine, I was smitten. I lay back and played the tracks on repeat as lazy phrases and disconnected thoughts jumped through my head… Somehow time seemed to stretch and calm. Through the album I kept waiting for a time I would lose interest, I had work to do! But it just never happened, I honestly don’t think there’s a song on this record I don’t love.

(Via Dead As Digital)

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Wassup world – been enjoying bobbing around in the pools of heavenly goo that run together to make “Too Much To Lose” – this hot’n‘heavy, soft-focus club sleepwalker by Sun Glitters. Taken from their self-released “Everything Could Be Fine”, it’s a gorgeously patient, magnetic listen – poltergeist-pitched vocal squeals hovering in and out of thick, cosmic synth clouds like formation fireflies in Summertime dead of night.

(Via Transparent )

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Pretty stoked by the by the lush and mysterious sounds of Sun Glitters, which is the recording moniker of Victor Ferreira who despite his name appears to be based out of Luxembourg.

(Via No Fear Of Pop

credits

released March 11, 2011

Thanks to everyone who support Sun Glitters growing up!

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Some samples used on this album come from:
samplebasedlife.bandcamp.com/album/sample-based-life-source

license

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tags

about

Sun Glitters Luxembourg

:* S un G li tt ers ✧·゚

No th! ng !s per m an ent
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linktr.ee/sunglitters

Management:
www.parasolartists.com
mirza@parasolartists.com
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